These paintings strive for that static quality that is so unvalued by those who think moving images have displaced painting.

Canvasses of classic china handled in a classic loose painterly tradition, white on white, the light falling across the forms, seek to emanate a timeless unchanging taste of the infinite in contrast to the triviality of moving images that only capture the passing moment.

This whole very seriously intended oeuvre, unlike other art forms that only express the times or, with even more vulgarity, make surprise the only motif, attempts, without pretension, to stand outside time.